delsins house series is back once again, this time with mysterious producer low jack about who very little is known. he has released but one ep so far, an ep that was both ballsy and techno and deeper and mid tempo. his free pyjamas ep is house, of course, but thick, dense, gauzy textures fill every inch of the airwaves throughout.

having established his own basic grooves imprint with a trio of sultry new jersey influenced house releases, shane linehan hands the fourth release over to up and coming french producer janeret. *hard deep* goes even, ahem, deeper that linehans efforts for the label, combining a slamming mid-tempo kick drum with crisp and cavernous dub piano chords and the subtlest of organ riffs, making a nice contrast to the more upbeat styles of linehan. on the flip, linehan delivers his own version of track which ups the tempo and offers a ravey, pitched take on the originals simple one chord piano line, complete with bristling hi-hats and warm pad breakdown.

emile strunz continues his mid-tempo journey charting a course through the harder, darker waters of electronic dance music with the north sea body music ep on flight recorder...

on discrete formants i michael explores the various outskirts of house music. this release compiles six low n mid tempo tracks, combining the distinctive charme of modular synthesizers and vintage drum computers with acribic sound editing. in good diy manner the 6-tracker comes on heathered grey colour vinyl with green stamping and is limited to 300 copies only.

circles of others is the debut ep of panos & sentenza, a producers duo from the mid-west of the usa. we at soweso are happy to welcome these talented guys in our soweso stable. this 3 track ep plus the remix of san proper (rush hour / perlon) covers the spectrum from chicago influenced modern house music to disco based jack. we live hard, we love harder. available as 4 track ep

genius of time are back after a great year with houston, we have a problem on royal oak, gliese 581g on aniara, several excellent remixes and extensive touring with their unique, all-hardware live set that spans 30 years of music technology in one show. this release features two of the highlights from their current set: a-side tuffa trummor med synt is a new jersey house bomb for the year 2012, whereas tuffa trummor med röst on the flip follows up last years science fiction with an off the hook beat, expertly processed vocals and a strings breakdown reminiscent of that mid-90s inner city vibe. artwork by jeffrey meyers.. essential!

a shift from monochrome to full colour sleeves signifies the start of a new phase for space cadets. the chambers of apogee ep comes from anonymous debutant lyterian, an exclusive signing to space cadets. masterfully employing the hypnotically dark rhythms of mid-90s jungle and applying them to a contemporary d&b framework ... the real question is just who is lyterian?
original sleeve artwork is once again contributed by us illustrator theo ellsworth. all vinyl pressed to extra heavy 180g acetate.

having surfaced with a few potted releases in the mid-nineties, my love is underground have taken it upon themselves to call upon las teflon dons to reissue three punchy lessons in that currently most mined of house music eras. theres no arguing with the authenticity of a track like planet eater, as the subby bass and pounding drums take the lead with just subtle dabs of noise and samples chilling in the background. sun fist rising has a more rounded atmosphere, leaning on layers of keys and a classic garage shuffle for a sweet and soulful end result, while psycho ray gets on a darker tip with creepy vocal samples and moody organ bass

definition of d is a little tribute to detroit, the city that influenced and later embraced my music in the mid/late 90s. this ep is an attemt to make music that is closer to the sound that i started out making but still different from the old detroit releases. high tech soul and is hopefully the key here. available on vinyl

pulse locker refers to the analog method of synching analog modular instruments and drum machines, a method of working john tejada & josh humphrey have embraced to generate their trademark sounds and grooves. preferring to work away from the computer as much as possible, john and josh have adapted a more old school approach to their work, syncing analog gear together, not from a computer, but the way it was synced back in the day. the results are a tight, organic analog sound showcased particularly by the 2nd track >bifur gates<. with a tr-808 as master clock, syncing the modular system, the sound takes you back to the mid 90s era of techno. real 808 beats, punchy bass and an ever so shifting classic chord line will leave you lingering for the days of old. on the a side, >pulse locker< with its big and warm groove, gets things moving with a blend of house and techno. rounding out the ep, >unanimous arc< showcases the mad acid sounds possible on the sh-101 while modular chords elevate the track to a manic pace. >pulse locker< marks the duos third collaboration on palette recordings.

a towering talent in the future house scene and one of bristols most adored exports, eats everything is about to deliver his first full ep for the kindred spirits at futureboogie recordings. displaying his softer sound palate, the mid-tempo grooves of the aptly named >slow for me ep< are more slinky than slamming but every bit as cheeky.

there are a number of theories as to how, in the mid-20th century, african music made its way to colombias vibrant port city of barranquilla, todays mecca of caribbean tropical music flled with the chaos of loud music, frenetic taxis, delicious sancocho soup aromas and a charminglycolourful aura. some maintain that a man named boquebaba remains responsible. others claim that seafaring traders and merchants imported the frst sizeable amount of african vinyl.

we are really pleased to welcome steve pickton aka soul 223 aka stasis, and many others side projects, in the neroli family. been a fan of his many aliases and projects since the mid nineties, releasing on art, opart, peacefrog, b12, multiplex, likemind, otherworld and so on.

edux return from a winter hibernation and summer of partying with some more essential wax. machete savane is their latest signing, aka studio supremo saul richards & andy bainbridge, an integral part on well respected and notoriously raucous party people bad passion andy has perfectly distilled what drives the bad passion dancefloor in the excellent >elysian fields<, and who better to put a unique stamp on the track than their main resident guest felix dickinson. he takes the track into bolder, dubbed out and altogether more acid house territory, while keeping the live elements to the fore. finally mid op amps up the drum machinery, and lays out another corking balearic with balls workout. quality stuff as always.

often overlooked in american techno history are the weird and wonderful flavours to have emanated from the mid-west over the years. no two finer exponents have there been than minnesotas paul birken and freddy fresh. their contributions date back to the early nineties when freddy was exploring the possibilities of extreme techno (via labels like labworks, experimental and his own analog) - an activity that paul took up a while later after debuting on woody mcbrides renegade communique label in 1996. teaming up for the first of two collaborations on this 12 inch, paul and freddy open with >the fate of thirty eight< - a belting slab of analogue techno, where machines shriek and squawk like possessed animals on the loose.

the whole ep but more particularly the lead track pays homage to a certain venue in vienna called roxy which a good number of us in the liquid d&b heydays of the mid 2000s and onwards were privileged enough to play at. to say thanks for such great times zero t decided a dedication was in order and here we are!huge support so far from the likes of: friction (on bbc radio 1), ant tc1 (on bbc radio 1), dj hype (on kiss fm), dj die (on kiss fm), bailey (on bbc 1xtra), dj marky, lenzman (on ministry of sound radio), octane & dlr, survival, youngsta, rockwell, brian g, total science, von d, foreign concept, vicious circle, stray, craggz & pf, sunchase.

jolly mayhem, this one is sure to rock the floor & is already getting major support from some serious heads! the flipside is a more mid tempo house affair but is equally as devastating. richard from milwaukee takes on better off, a stomping disco groove which escalates into full-on crowd control.its all about the classics here, with richards trademark chunky percussions & synths galore. did we mention the bassline? kick back to this one. dj kaos jolly jams imprint delivers again!

rhythm odyssey is a production alias of the one and only dean meredith (chicken lips, goat dance etc) here he has teamed up with dr dunks (eric duncan, rub-n-tug) and tis second part of their 2 12 series, the duo have crafted some deliriously good mid-tempo balearia, circles could be a long lost remake of e2e4, and has sunset moment written all over it. >glow< takes the same ingredients and transports them into early 80s dubbed out territory - superb!

influenced by mid 90s detroit techno. as with the first release the numbers are limited so dont miss 4 more raw analogue sounding tracks from black boxx

bokhari records is a vinyl only label. bokhari has been inspired by mo wax of old, and firecracker of present where care was/is also taken on packaging and design. each release will feature a different illustrator / artist for the design. a very strong and varied 12 for the second release from bokhari. 300 copies, vinyl only, and featuring wild 3d hand drawn artwork by nocturnal illustrator ben cook aka synthetics. siafus slunk dub starts proceedings with a slow, deep, languid house groove, propelled forward by a motoring bassline, murky acid grooves and insanely catchy keys. acid house survivor neville watsons remix is tinged with nostalgia. slow building mid-90’s piano riffs give way to a nagging acid groove and epic synths. retro futurism of the highest order. on the flip unknown croatian producer disrupted projects 1.2 is an infectious slab of ocean deep, grainy dub techno. drenched in warm bass and swimming in static - if basic channel had stepped it up a notch, this may have been the result. label owners siafu provide a dub mix utilizing a minitaur bass.

following on from torquato and boghosians acclaimed debut on yoruba is this, a selection of remixes diverse and interesting enough to do justice to the original lp, which received praise for the rich tapestry of musical sources it drew influence from. first up, afefe iku delivers a much deeper, weightier version of paradice laden with heavy synth stabs and woody percussive elements. aybee takes when u touch me - probably the standout club track on the original lp – into much deeper realms, stripping back the original groove . its remarkably simple but flawlessly executed, the chord motif working effortlessly alongside the crisp hats. atone tackles zulu girl and in the process unravels a much more mechanical track, a massive mid-tempo thud dominating over delayed cymbal crashes and ghostly vocals. overall - a darker vibe and a truly timeless collection of remixes.

matthias heilbronn is one of new yorks best and best-known dj/producers, and an international name in his own right. hes had worldwide house hits, including the massive its gonna be alright under the name deep zone in the mid-90s and more recently do it right on pokerflat, scooped a string of awards for his djing, production and editing, and is one half of m&j with dj joeski

new swedish label from >dont recordings< artist, boner m. limited pressing. classy mid-90s style techno, antsinplot takes you on a ride without compromise into the realms of techno. harsh sounds and stuttered riffs unfold over super-kicking beats. this is real raw techno with the punkest of attitudes and of the ilk that would have sat (un)comfortably on seminal techno labels such as subhead, dj hyperactives contact, tim taylors missile or indeed any label that released hard techno built for dark strobe-lit warehouses during the 90s. this is the techno that rocks underground bunkers in berlin, london, sao paulo and all around the world but remains untarnished by commercial interference... alive with attitude and real analogue fuzz, antsinplot 001 is co-produced by boner m whose monster record zoidar released last year on dont recordings, found its way into the box of ben sims amongst other leading techno tastemakers.

repress - black aroma ep vol.4 is the 4th release of an ep series that blends slow, mid-tempo and upbeat jams.... already played by theo parrish

2 x 180 gram vinyl in a custom printed sleeve. coki unleashes four of this most sought after dub plates. nobody does it quite like him.

very special release on demo disc from yam who? – yam who presents: night of the soulboy ep. the a side is huge, a special edit of a rare live jb recording. b side features >i can u can< an awesome mid tempo number, the 12 inch is rounded off with the soulful >looking 4 u<. yam who? getting back to the old school vibes on this one, killer release!

after firmly establishing their nu funk steez in the digital realm with countless releases, london label boogie boutique reached into the glamorous world of vinyl in fine style just before christmas with the double 12 inch drop a year on wax. they elect to continue their twelve inch shaped adventures with a label regular at the helm in the shape of funk ferret. the new zealander has featured on many a boogie boutique release, as well as other nu funk labels such as booty pirates and ghetto funk, so keen observers of the scene will know what to expect. >pushin forward< features the mic spitting skills of imagine this, whose mr lif style delivery is the perfect foil for a trademark mid tempo bass heavy bump from the ferret. boogie boutique have assembled a fine cast of remix talent too, with big beat veteran cut la roc dropping a fine sample heavy revision that allows the vox to shine. fellow bb artist and montreal dweller nick fonkyson adds some crunchy riffage to the mix, whilst the funk ferrets regrooved sound system partner dj alias concentrates on teasing out some bassline deviancy with some help from benson.

moka only is one of canadas most celebrated hip-hop exports, a former member of canadian rap royalty swollen members who has released dozens of solo projects since he broke through in the mid-90s. ayatollah is one of the most respected producers in the american underground hip-hop scene, having crafted classics like mos defs >ms. fat booty< and talib kwelis >the proud<, plus tracks for styles p, pharoahe monch, masta ace, cormega, inspectah deck, and many more. now, these two talents have come together for a full-length collaboration straight out of hip-hop dreamland. all rhymes by moka only (as his alter-ego ron contour) and all beats by ayatollah.
double 12 inch release, including 2 vinyl only tracks.

emmanuel debutes on march 17, 2008 with parade (be as one), played and supported by the likes of sven vath, richie hawtin and adam beyer. after this successful project emmanuel features the main stages of the world, such as sonar festival 2008 in barcelona, and the womb in tokyo.
in early 2009 emmanuel stepped up his pace and began his series of releases on top labels of europe, including vinyl as you can remember: showtime (get phisical), apple mangroove (saved), anywhere else (outpost) coffee shop and octopus (100% pure), to the last in order of time the vulcan of the alchemist (monique musique) played for an entire season as carl cox, spring sword (monique musique) and remixes for warm cologne gabriel ananda.
now emmanuel wants to celebrate five years of work, presenting his first album: the man with no shadows, which will be in stores from mid-july 2012 on monique musique label.

emmanuel debutes on march 17, 2008 with parade (be as one), played and supported by the likes of sven vath, richie hawtin and adam beyer. after this successful project emmanuel features the main stages of the world, such as sonar festival 2008 in barcelona, and the womb in tokyo.
in early 2009 emmanuel stepped up his pace and began his series of releases on top labels of europe, including vinyl as you can remember: showtime (get phisical), apple mangroove (saved), anywhere else (outpost) coffee shop and octopus (100% pure), to the last in order of time the vulcan of the alchemist (monique musique) played for an entire season as carl cox, spring sword (monique musique) and remixes for warm cologne gabriel ananda.
now emmanuel wants to celebrate five years of work, presenting his first album: the man with no shadows, which will be in stores from mid-july 2012 on monique musique label.

for the 4th release on their cocktail damore music, discodromo and boris bring you the exciting and extraordinary sound of lord of the isles. with a handful of releases for labels such as the japanese ene and firecracker offshoot, unthank, lord of the isles is currently one of the most talked about names in the electronic music scene. the sound in these 4 tracks moves between ambient electronica, planet e techno, kompakt shuffling trance (check out the sublime searching) and mid tempo balearic house chuggers, with squelches and bubbles in all the right places. they are highly sophisticated deep-disco house movements encrusted with splurges of sonic texture. lord of the isles has amassed support from a long list of both seasoned and new school djs, including masters like david mancuso & dj harvey, who included one loti s track on his recent x mix cd, andrew weatherall, daniel wang, fudge fingaz and linkwood. as usual: limited to 250 copies, 12 inch in 4 colors cover - no digital. hurry up, vinyl only!

following the amazing debut ep from yse saint laurant, we have the long-awaited follow up after releasing the incredible >abah dabah dis< on ppflimited, yse expertly handled the debut on pickpocket & now returns with the monster erasmos a mid-tempo throbber of the highest order mysterious newcomers fence handle proceedings on the flipside, letta from soweto is a dub rework of the afro-balearic beauty >normalizo< while yebo ! takes on an early 80s b side from art of noise, skillfully reworked into a super chunky slo-mo, chant laden frugger.

after debuting with an albums worth of experimental, ambient electronic explorations from the hugely talented nyc based jason letkiewicz under his alan hurst moniker, the emotional response label maintains such high standards with their second release. the focus shifts to timothy j fairplay, a uk producer whose growing discography is proving to be impressive too. ears should still be ringing to his world unknown released homage to ancient egypts predilection for psychedelic drugs and its little surprise he has been hand picked for the debut release on sir weatheralls new vinyl initiative bird scarer. the four tracks that make up somebody, somewhere retain that dubby mid tempo poise that permeated fairplays output to date, though he seems to revel in the freedom to experiment emotional response encourages, focusing more on developing expansive patterns of synths on tracks like >aim for the yellow sector< and the title track. special mention too for >i do not believe< which comes on in a deep medi doing digidub style!

after introducing iron curtis and catz n dogz to the label on the chart topping retrofit no. 8 ep we follow up with another new introduction, martin dawson in collaboration with label boss jay shepheard.here on the retrofit no.9 ep the pair deliver a quad pack of quality electronic music ranging from the peak-time dance floor killers kinds of people and cut a hole to the laid back mid tempo house of obey your aul (featured as the opening track on shepheards recent ra podcast) and the bouncing hip hop groove of megaface 3k.this is certainly one of the most diverse releases on the label to date and if early crowd reactions are anything to go by looks like it will be one of the most popular too!

robert owens robert owens, the american contemporary r&b and house-music vocalist best known for his work with the chicago house group fingers inc. in the mid-1980s needs little introduction. a pillar of the underground house music scene for close to 3 decades, wolf + lamb is honored to offer up this tribute ep, featuring an original work of deep house bliss by the uk-based mike gill, and the gritty brooklyn remix of his 1992 no.1 club chart ill be your friend by label owner gadi mizrahi and soul clap. a true tour de force with gems for the dancefloor primetime and sunrise bliss. vital sales points: - tribute ep to robert owens, a house music legend for 3 decades - contains a new original track by uk-based mike gill featuring robert owens

rosario born argentinean franco cinelli has been firmly rooted behind the decks since the tender age of 14. drawn by the call of the drums and having researched the creation of music through computers and samplers, the mid 90s saw cinellis first productions taking shape. rapidly becoming a key player on the argentine scene, franco played throughout the country, holding a residency at the prestigious el sotano. his first forays to europe came in 2003, but it was 2005 that his own music really made an impact. having released a handful of releases and mix compilations on smaller labels, it was his picaro ep with bruno pronsato that really brought him to the attention of the music world. since then, franco has gone on to release and remix for a number of established imprints including ilian tape, produkt, claque musique, hello repeat, airdrop , international freakshow, alphahouse and the label of his great friend kasper, esperanza. in 2011 following his critically acclaimed >planet dub< debut ep on bass culture records, franco cinelli finally achieved global recognition with his massive underground remix of cassius >sound of violence< that placed strongly in many of the end-of-year top 10 best remix of 2011 lists. today franco returns to bass culture records for a new take on his trademark deep & techy house with 4 original tracks on the >take me back< ep

nice price deal !!! jean-baptiste de laubier, aka para one, has always been an hyperactive guy. he first started as no-nonsense hip-hop producer in the mid-nineties, making beats for undeground rap artists.
limited edition clear / translucent vinyl, including cd-copy of the full album.

tireless producer, tronic boss and top international dj christian smith here steps up for his first release on plus 8. over the years christian has offered up a high volume and high quantity of techno inclined singles for myriad labels (bedrock, systematic, 100percent pure, soma), so it only makes sense he now finds himself on one of the scenes most reliable outposts for such material. the two track ep kicks off with house is house which is, as the name suggests, a little house-ier than the flip, but still deals in plenty of heavy bass weight and slick repetition. the devil is in the detail filtered, dark voices, rattling cowbells, washes of white noise synths and long, thin, forward looking pads - all of which are married to a mid-tempo groove. the more forceful indulge me then follows. taught kick drums start immediately as claps and subtle synth stabs swell in volume until they eventually fill out the whole airwaves. squirming behind are thin and icy steel lines until the first drop when the deliciously bouncy groove sets in proper. far from aping the usual detroit and chicago tropes, christian smith has once again crafted two classy dance floor joints that are not only exquisitely produced, but that bare all the usual hallmarks of christian smith, one of the most consistent producers in the game.

carrying on from the success of their last release from artifact, deadplate records present hackman & blutos what matters. what matters is a bouncing house track with a weighty bass line, sure to waken up any dance floor and perfectly timed for the summer. marimba vibes keep this track bubbling along with an addictive and strong melody that has become unanimous with hackmans style. james fox creates a powerful 4/4 remix on the flip, stripping back the original and bringing a mid-90s uk garage flavour to the table. a real powerhouse on the dance floor, this is one of the strongest pieces of work from one of the uks most exciting house producers. supported by rob da bank, ma1, west norwood cassette library, guy andrews, midland, goldffinch, artifact, thefft

2 limited edition remixes that have been excting dancefloors around the world on a few cdrs for about a year finally get a limited edition release… french re-edit legend pilooski takes the track to nycs legendary paradise garage in a dubbed out mid eighties electronic disco frenzy, the real alternative twist up the original … adding extra vocals and looping and editing the track into a 10 minute dancefloor killer…

steve bug drops a new outstanding 12inch on his own highly prolific poker flat recordings. those grooves is the perfect primer for his upcoming album (due out in autumn 2012), and sees the man in fine form - masterfully in control of his sound and producing tracks with a depth of dancefloor knowledge most other producers would die for. those grooves, the lead track locks into its exquisitely crafted groove early on, holding a taut balance between its individual elements. mid way through its 10 minutes, bug drops the tempo and lets the groove breath, before bringing it all back home - an audacious late night club weapon. the flip side is no less dramatic – tell me why creeps up, evolving slowing but surely – before an edgy, freaked out bass line drops over the crisp drums. a true peak time burner with enough energy and tension to smash any floor.

fur the texan, born bryce isbell, extracts minutiae with precision. his compositions, while airily sparse, are saturated with details plucked from broad of landscapes, whether they resemble the texan prairie or the expanses of industrial germany. isbells composite micro-samples are infinitesimal, soaked in breathless allusion and divorced from their context. the crisp, insistently percussive arrangement oscillates like metal shavings manipulated by an unseen magnet. fur has untraditionally tapped into a eu techno mind-meld, a berlin thought-stream. after his early work with neon indian’s alan palomo as ghost hustler, isbell dove deep into minimal sounds that transported listeners closer to inner city detroit than the mid-west. unos first fur ep cocoon follows several years of isbell silence. after a notable debut with lefse, fur submerged below a sea of techno and came up with a deep analog style that has acquired fans in fred p and firecracker records with twisting house like >knots<. a second part in the fur saga on the way, uno has faith this young westerner will be putting a big texan stamp on the house scene to come.

plak is really proud to announce monster heart driver debut 12inch.like agoria,the driver is from lyon and has really good taste for raw techno and detroit excursions. the a-side raw as fuck is straight from the mid 90s with a small detour via the year 3000. an analog session recorded on the fly,loud kick, phat toms,oversized nasty hats and a rave gimmick for your head,forget the forward thinking depressive thing,this shit is a perfect big room techno tool,you gonna smile, ance and sweat!on the flip side the path is your late rainy sunday companion, it will show you the road off detroit,ur and shakir are at the corner,to bristol dubby thing unreal excursion that worth the trip.welcome home m0nster heart driver!

after the success with >el baile alemán<, the career of coyu keep up unstoppable releasing his music on the best labels of the moment and getting support from the most important artists of the international scene (sven väth, luciano, richie hawtin, joris voorn, marco carola, loco dice or mark knight, to name a few). while visit the music box of mid world (from israel to panama, from australia to canada) with his unmistakable style, keep selecting the best music of the moment with his own label suara

praterei might not be the most prolific of labels, but the quality is always way above the quantity. the fourth release on the viennese imprint comes from local boys done good the new tower generation, with a heady two track offering that fits right in with the labels ethos of focusing on the essence of house. the amusing titled >horny goat weed< is a perm twisting delight, with the grainy string sample remoulded to align with the loose jacking rhythms and rave indebted keys. >trembolon< finds the new tower generation in an altogether mellower mood, building with poise from its sonorous beginnings to a glorious mid point crescendo of rising synth lines.

we are very proud and honered to release this ep by function aka dave sumner from sandwell district. one of technos true underground heroes, function (dave sumner) has been djing and making music for over 15 years. hailing from new york, he was seduced by techno music when jeff mills held a residency (as well as his own first) at the limelight in the early 90s. dave started to produce music and from the mid-90s onwards, put out music on damon wilds synewave and his own infrastructure imprint. together with regis (karl o connor) he worked as portion reform, putting out uncompromising music on downwards and becoming the only non-birmingham producer to release on the label. in 2008 dave moved to berlin, still working with regis, and now silent servant (john mendez), put his focus on the acclaimed sandwell district imprint. obsessed is a supper powerfull floating track for the dancefloor, a typical function production. this ep also contains remixes from substance and scb aka scuba, both peak-time tracks.

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. its loosely connected to sleazy mcqueen and his assorted cohorts. whiskey disco no.13, ruff n stuff, can hardly be contained on a single plate of wax. all four tracks have been tested and audience approved! on the a, deep&discos rework of i wanna dance with somebody and alkalinos ruff n stuff are both stripped back and bass laden grooves. the b has two mid-tempo grooves from newcomer, debonair and portuguese duo, johnwaynes.

jay west from argentina has been releasing quality deep house (the real sort that is) for the past decade, last years smile ep on bebr got some serious playlist and chart action from everybody who knows their shit, and were please to welcome him to the moodmusic family. the ep starts with blame the music, the sort of feel-good house music we used to get loads of in the early to mid 90s from the big apple. swinging beats, almost disco bass and a sunshine filled vocal are the ingredients for a tune, and jay has delivered one. this will probably not be belted by the kids house community, but real heads knows what to do with this weapon. down continues the journey with victor simonelli style keys and a bouncy bassline, making place for the low-slung in & out tune which have some serious west coast mushroom influences. we love it! to end the ep the catchy little mean machine finally brings the smile to your face.

yoruba records proudly present the return of afefe iku. returning after a four year hiatus with is his first release since his 2008 debut album and smash hit mirror dance, here we have a four song ep entitled the blues. with his eclectic force and sound, afefe brings us another chapter in his developing story. the blues gives us the dark edge of deeper techno, whereas the arsonist is an in your face mid tempo head banger featuring osunlade on vocals. dakountdown and jungle beats stand alone in style and approach as a throwback to the days when house was simply just house, without the multitude of todays dance genres. yoruba pray that you embrace the next wave of sound from the mind of the man who brought you the classic artifacts of pottery vessels